FSMA 2022 Faculty
Violinist Paul Hauer joined the Milwaukee Symphony Orchestra in the fall of 2016. Solo concerts have brought Mr. Hauer to the countries of Germany, Greece, France, the Czech Republic, and the Philippines. Chamber music and orchestral concerts have brought him to Italy, San Marino, Singapore, Mexico, and China. Before moving to Milwaukee, Mr. Hauer was Principal Second Violin of the Evansville Philharmonic Orchestra and performed regularly with the Indianapolis Symphony Orchestra and the Louisville Orchestra.
Mr. Hauer traveled to Athens in May of 2015 to participate in the 4th Leonidas Kavakos International Masterclass. One month earlier, he performed the Sibelius Violin Concerto with the Springfield Symphony Orchestra. Other honors include winning the Indianapolis Matinée Musicale Collegiate Competition in 2013, which resulted in a performance at the Indiana Landmarks Center with pianist David Keep. In the summer of 2011, he toured Europe with the Denver Young Artists Orchestra as the soloist for the Barber Violin Concerto. While serving as teaching assistant to Addison Teng, he performed and taught lessons with the Teng Studio on their international tours.
His early violin training came from Gloria Schroeder and Ferenc Fenyő. Hauer also studied with Stéphane Tran Ngoc, Carol Leybourn, and Catherine Walby through the Lawrence Academy of Music. He has attended the Montecito International Music Festival, Oberlin in Italy, and International Academie de Courchevel. Hauer received his degrees from Oberlin Conservatory and Indiana University’s Jacobs School of Music. His principal teachers include David Bowlin, Alex Kerr, and Addison Teng. As a teacher, Mr. Hauer is on faculty at the Fulton Summer Music Academy and coaches strings at the Milwaukee Youth Symphony Orchestra and Maranatha Baptist University. As a founding member of the 414 Quartet, he performs with his MSO colleagues in venues across southeast Wisconsin. Mr. Hauer is a native of Fond du Lac, Wisconsin, and performs with the Peninsula Music Festival each summer.
Violinist Addison Teng is a sought-after performer and teacher. He has given solo and chamber music performances across North America, Europe, and Asia and has performed as soloist with the Oberlin College Orchestra, Eastman String Fellowship Orchestra, Sinfonia Academy Orchestra in the Philippines, the University of Macedonia Symphony Orchestra, and Symphony Irvine. He is the recipient of the 2018 Outstanding Young Alumni Award at Oberlin College and Conservatory, which recognizes young alumni who have distinguished themselves in their professional careers and their service to humanity. He has also been named a Distinguished Alumnus of the Meadowmount School of Music.
A rising pedagogue of his generation, Teng is currently on the faculty of DePaul University School of Music and Music Institute of Chicago, and was previously on faculty at the Montecito International Music Festival. He is president and founder of the nonprofit Fulton Music Society and is the director of the Fulton Summer Music Academy and the Fulton In Residence touring program. Previously he served as teaching assistant at the Meadowmount School of Music and Northwestern University Bienen School of Music, assisting Sally Thomas, Amy Barlowe, and Roland and Almita Vamos. He has given masterclasses and coachings at Lawrence University, Eastman Pre-College, Istituto Musicale Sammarinese in San Marino, Conservatorio Bruno Maderna in Cesena, Italy, Istituto Superiore di Studi Musicali "Pietro Mascagni" in Livorno, Italy, Taipei American School, and Conservatório Villa-Lobos in Rio de Janeiro. Prior to founding Fulton, he took students on tours to the Philippines, Greece, Italy, and San Marino, where he gave masterclasses and performed with his students.
Teng's students have recently placed at competitions both locally and nationally, including DePaul Concerto Competition, Hellam Young Artists Competition, Denver Young Artists National Violin Competition, Indianapolis Matinee Musicale Competition, Walgreens National Competition, Indiana School of Music Concerto Competition, Charleston International Music Competition, Confucius Music Festival Competition, and Sejong Music Competition. Many of his students have been admitted to top universities and conservatories, including Oberlin Conservatory, Juilliard School of Music, New England Conservatory, Indiana University, Northwestern University, Manhattan School of Music, Mannes New School of Music, and Berklee College of Music, and have been awarded Fulbright and Wells scholarships. His students have gone on to win jobs at the Lyric Opera of Chicago Orchestra, Milwaukee Symphony Orchestra, Grant Park Orchestra, Peninsula Music Festival, Evansville Philharmonic, Louisville Philharmonic, and Thunder Bay Symphony Orchestra. Teng’s students have soloed with the Chicago Youth Symphony Orchestra, Springfield Symphony, Denver Young Artist Orchestra, and Montecito Festival Orchestra, and have been guest concertmaster of Fort Wayne Symphony. In 2015, the Addison C. Teng Merit Scholarship was established at the Music Institute of Chicago for his studio.
Teng graduated with a Master of Music in Violin Performance and String Pedagogy from Northwestern University Bienen School of Music and received his Bachelor of Music in Violin Performance from Oberlin Conservatory of Music. His principal teachers and mentors have included Joey Corpus, Sally Thomas, Roland and Almita Vamos, Peter Takács, Amy Barlowe, and Karen Ritscher.
Learn more about Addison Teng at https://www.addisonteng.com/
Amy Hess is a member of the viola sections of the Lyric Opera Orchestra and Grant Park Orchestra. She was formerly principal viola of the Civic Orchestra of Chicago and a member of the Northwest Indiana Symphony Orchestra, and she has performed with the Chicago Symphony, Chicago Philharmonic, and Music of the Baroque. Amy has recently performed the Stamitz Viola Concerto with Sinfonietta DuPage and collaborated in concert with bassist Edgar Meyer as part of the Aspen Salida concert series in Colorado. She also was part of the Chicago premiere of Joel Puckett’s string quartet concerto Short Stories with the Northwestern Symphonic Wind Ensemble, and performed the solo viola role in Richard Strauss’ Don Quixote with cellist Joseph Johnson and the Northwestern University Symphony Orchestra.
Amy received her Master of Music in viola from Northwestern University and is a Phi Beta Kappa alumna of Oberlin College and Conservatory of Music, where she earned degrees in French and violin. While at Oberlin, she spent a semester in Paris, studying violin with David Rivière of the CNSM and musicology at the Sorbonne. Her interest in French music continued with a collaboration with Ravel scholar Sigrun Heinzelmann on a presentation at the Music Theory Midwest Conference and several lectures at Oberlin. Amy’s principal teachers and mentors have included Karen Ritscher, Roland Vamos, David Bowlin, and Addison Teng, but it all began thanks to her mother, a Suzuki violin teacher in Lancaster, PA.
A native of Tucson, Arizona, cellist Nicholas Mariscal is the newly-appointed Assistant Principal Cellist of the Milwaukee Symphony Orchestra. A recent alumnus of the New World Symphony in Miami, Mr. Mariscal is a winner of the orchestra’s concerto competition, performing the rarely-heard Khachaturian Concerto-Rhapsody for cello. In 2018, he made his professional concerto debut performing the same work with the Tucson Symphony Orchestra. Additionally, he is a top prize winner in the Sphinx, Edith Knox, and Indiana University Latin American Music Center competitions.
Recently, Mr. Mariscal was invited to perform as Guest Principal Cello with the Trondheim Symphony Orchestra in Norway, on its tour of South Korea with conductor Han-Na Chang. He has also performed as Principal Cello of the Fjord Cadenza Festival in Ålesund, Norway, in addition to participating in the Tanglewood, Heifetz, and Aspen music festivals. An avid chamber musician, he has performed with esteemed artists such as Midori Goto, Jorja Fleezanis, Tamás Varga, Atar Arad, and Paul Kantor.
A passionate proponent of lesser-known and new music, Mr. Mariscal is an especially ardent performer of Latin American music. While still an undergraduate at Indiana University, he won the Latin American Music Center’s Recording Competition, giving him the opportunity to record and share rarely-heard music for unaccompanied cello by 20th and 21st century composers including Osvaldo Golijov, Alberto Ginastera, Paul Desenne, and Leo Brouwer. As a fellow at the New World Symphony, he took the same inspiration and curated a full orchestra and multimedia program titled Alma Latina, with the goal of sharing with audiences just a small sample of the trove of undeservedly neglected works from Latin America. As a performer of new music, he has been involved in dozens of premieres of new works, and has performed extensively as a member of the Aspen Contemporary Ensemble, the Indiana University New Music Ensemble, and USC’s Thornton EDGE ensemble. Following his Aspen performance of Tan Dun’s Elegy: Snow in June for cello and percussion ensemble, the Aspen Times wrote, “Mariscal seemed born to play Dun’s soulful, endlessly inventive and expressive music. With rock-solid technique and undeniable star quality, Mariscal seemed less a student getting a break than a bona fide artist.”
As a performer, Mr. Mariscal believes strongly in working to make classical music approachable and accessible to everyone, and strives to do so by speaking to audiences frequently, and attempting to break down traditional barriers in performances. Mariscal received his Bachelor of Music degree from Indiana University under the tutelage of Eric Kim, and received a Master of Music degree and a Graduate Certificate from the University of Southern California, where he studied with David Geringas and Ralph Kirshbaum.
David Keep is a prize-winning pianist, theorist, and pedagogue.
As a pianist, Keep has performed throughout the United States. An active recitalist, concerto soloist, and chamber musician, he has won prizes in the Wisconsin MTNA Young Artists Competition, the Miroslav Pansky Memorial Concerto Competition, the Kankakee Valley Symphony Orchestra Piano Concerto Competition, and Wisconsin Public Radio’s Neale-Silva Young Artists’ Competition. Performance highlights include the complete Chopin op. 10 Etudes, a lecture recital focusing on musical narrative and Russian fairy tales in Prokofiev’s music, a concerto debut with the Green Bay Civic Symphony Orchestra, and Messiaen’s Quartet for the End of Time. Current projects include a performance cycle of the complete solo piano works of Brahms. He studied piano with Derison Duarte, Anthony Padilla, Luba Edlina-Dubinsky, and Vincent Lenti.
As a theorist, Keep has devoted much of his research toward understanding how meaning is perceived in music. Keep’s interests are centered on the music of Brahms, music of the late nineteenth and early twentieth centuries, and the connections between analysis and performance. He has presented his research at the annual meetings of the Society for Music Theory, the Music Theory Society of New York State, and the Texas Society for Music Theory, where he won the Colvin Award for the best paper given by a graduate student. Invited lectures have been given on the music of Mahler for the Minnesota Orchestra and the music of Robert and Clara Schumann for “Performing Clara Schumann: Keyboard Legacies and Feminine Identities in the Long Romantic Tradition,” a conference held at Cornell University. An essay entitled “Brahms ‘versus’ Liszt: The Internalization of Virtuosity” is featured in the volume Liszt and Virtuosity, edited by Robert Doran and published by University of Rochester Press. His dissertation, “Brahms’s Re-Creativity in Opp. 80-90”, was advised by Jonathan Dunsby. This research was supported by the University of Rochester’s Raymond N. Ball Dissertation Fellowship.
As a pedagogue, Keep has taught piano and music theory to students of a variety of ages and skill levels. In addition to teaching piano privately, he has taught at the Lawrence Academy of Music, and has presented masterclasses at Lawrence University. He has taught music theory at the Young Pianists Program at Indiana University, the Eastman School of Music, Gustavus Adolphus College, and the University of Minnesota. In 2019, he was awarded the Teaching Assistant Prize for Excellence in Classroom Instruction from the Eastman School of Music. Currently he teaches music theory and piano to majors and non-majors at Hope College, emphasizing both the rigorous pursuit of specialization in music as well as the exploration of the art form’s significance within a liberal arts curriculum.
David Keep holds a Ph.D. in music theory from the Eastman School of Music, University of Rochester. Keep earned a MM in piano performance with a minor in music theory from the Jacobs School of Music, Indiana University; he also holds a BM in piano performance from Lawrence University. He is an Assistant Professor of Music at Hope College in Holland, Michigan.
Learn more about Dr. Keep at https://davidkeepmusic.com/
Dean Anderson is frequently engaged as a guest conductor with professional orchestras around the globe. Most recently, he conducted Il Barbiere di Siviglia in Pisa, Italy and previously orchestras such as the Orquesta del Festival Gaudix Clásica in Spain, and the Orchestra Filarmonica Campana in Cervinara, Italy. He has been the Music Director and Artistic Director for the Dana Point Symphony for almost a decade. He continually strives to champion a diverse blend of repertoire - ranging from the beloved works of Beethoven and Brahms, to newly commissioned works by local and international composers. His international engagements include concerts with professional orchestras in Europe, Asia, and South America. He has served as cover conductor for the San Diego Symphony and has performed with members of the Los Angeles Philharmonic. In addition, he has worked with such artists as Cho-Liang Lin, Andres Cardenes, Yizhak Schotten, Smokey Robinson, David Archuleta, Manhattan Transfer, John Tesh, Lincoln Mayorga, Arlo Guthrie, and Dick Dale.
A versatile and collaborative conductor, Mr. Anderson’s performances include major ballet works such as the Nutcracker, Peter and the Wolf, and La Cigale with ballet companies such as the Anaheim Ballet, Nouveau Chamber Ballet, and the Montage Dance Theater. He has also conducted numerous operas such as The Magic Flute, Il Segreto di Susanna (Wolf-Ferrari), Hansel and Gretel, I Due Figaro (Mercadante), Daron Hagen’s Little Nemo in Slumberland and more. One of the highlights of his career was his Walt Disney Hall debut performance of Marcos Galvany’s O My Son. He was the first American citizen to conduct the Ho Chi Minh City Ballet Orchestra in Vietnam. He also led the Southern California Chamber Ensemble performance of traditional chinese and japanese music for pipa and erhu with Tu Shan Xiang and George Gao in Nagoya, Japan.
In addition to his professional engagements. Mr. Anderson enjoys working with students and community members to help them strive for higher levels of artistic excellence. He constantly bridges the gap between professional organizations and educational institutions. He serves as part of an international jury for the Hong Kong International Music Festival and is often invited as guest clinician with local school districts, including those in Riverside, Santa Ana, and Irvine. He has initiated collaborative events between his orchestral ensembles and local schools and churches in order to help fund their special programs. Mr. Anderson is also the Artistic Director for Symphony Irvine and the Director of Orchestral Studies at La Sierra University. He recently completed his fifth season as the Music Director for the Montecito International Music Festival Orchestra, where he has performed with world-renowned artists and with gifted student musicians from all over the globe.
Mr. Anderson completed his Doctor of Musical Arts degree at UCLA under the mentorship of Neal Stulberg. He studied conducting with Edward Dolbashian and violin with John McLeod at the University of Missouri - Columbia. Additionally, he has participated in conducting workshops with Gustav Meier, Mark Gibson, Marin Alsop, Mihail Agafita, Don Thulean, and Lawrence Golan.
Learn more about Dr. Anderson at https://www.deanandersonconductor.com/